银魂:最终篇
地区:其他
  类型:动物
  时间:2025-05-03 12:11:00
剧情简介

1941年冬日本对英、银魂美、银魂法宣战,发动了太平洋战争。在日本飞机轰炸马来西亚的时候,华侨林亚珍一家十一口,都被炸死,只有她和大哥林亚龙活了下来。妈妈临终前嘱咐林亚珍与大哥林亚龙回广东老家东江边的惠阳。他们参加了归国华侨抗日组织,华侨服务社团。国仇家恨,让他们在偶然的机会,参加了东江抗日游击队。并跟随一支东江特遣队。来到香港,执行南方局下达的秘密任务。2005年,在全世界庆祝反法西斯战争胜利60年之既,广东东江电视台《往事》栏目,从马来西亚请来了当年去香港执行秘密营救文化人士的特殊任务,特遣队仅存的女战士八十多岁的林亚珍。故事随着栏目主持人的询问,林亚珍逐渐打开了珍藏在内心深处,悲壮又深痛的记忆。1942年春,林亚珍跟随哥哥林亚龙被编如了刘子良的特遣队,他们一行人即刻潜入被日本人占领的香港。林亚珍是个本性善良的护士。但在与刘子良的接触过程中,她觉得刘子良是个被战争机器磨砺,变得冷酷无情的人。在行动中,林亚珍和刘子良偶然碰到了被汉奸雷老虎手下肥刁欺负的一群被遗弃的战争孤儿。林亚珍虽然几次向刘子良透去乞求的目光,但刘子良没有表情的脸,让林亚珍不顾特遣队的纪律,私自把家传四代的手镯卖掉,上前救助孤儿。如此同时,刘子良暗中救出孤儿。这让林亚珍对刘子良的看法有了改变。在后来与刘子良的接触过程中,林亚珍发现刘子良在用自己独特的方式,关爱着特遣队的每个战友,他不会对身边的受难者扭过脸去。后来林亚珍才知道,刘子良跟她一样,全家也被日本人杀害了。在特遣队的行动中,林亚珍的哥哥林亚龙为了烧毁鬼子的粮库,壮烈牺牲,在牺牲前林亚龙把阿珍托付给刘子良。刘子良带着身心的伤痛,回到接头处。当他面对林亚珍的时候,在战争中,这两颗内心埋藏着深切爱情种子的战士,把对爱情的渴望,压在心底。短短的接触,深深的情谊,本来可以开花结果,但马上又要在战火中生离死别。离别前,刘子良把林亚珍当时为了救助战争孤儿而卖掉的手镯,交还给林亚珍。这种深切的感情表白,在特定的战争环境下,显露出来,又把跟随自己多年的心爱怀表留给了阿珍。林亚珍抱着从战火中救出来的孤儿,六岁的阿梅,目送刘子良和战友们去执行最后的任务。这是他们之间的最后一面。他们之间而唯一的纪念,是刘子良送林亚珍的一块怀表,那是在战争的烈火中,唯一的纪念。在最后的行动中,刘子良和其他战友,英勇战斗,死死拖住鬼子大队人马,顺利让其他特遣队,完成了掩护文化名人秘密转移任务。最后全部壮烈牺牲,鬼子在刘子良牺牲后,发现刘子良的后背上,刺着四个大字,誓死抗日。这代表着我们中华民族,一个抗日斗士最有力的誓言。在抗战胜利60周年的今天,林亚珍做为猛特遣队唯一的幸存者,讲述了这段鲜为人知的历史,故事讲述了东江儿女,与日军浴血奋战的故事。讲述了抗战烽火中,东江儿女的英雄事迹。在《往事》栏目中,经过电视台的排,林亚珍和失散了60年,当年特遣队救下的六岁女孩,现在已经60多岁的阿梅,两个经历了战争的女人,相拥在一起,在长久的哭泣中,观众们被故事深深的打动。在英雄纪念碑前,老战士林亚珍把内心的话说出来,等她死后,她要把骨灰撒进东江,让自己追寻当年并肩作战的战友们,他想刘队长和战友们一定会来接她。

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明星主演
马念先
米莲法莫
胡杨林
最新评论(197+)

陈依依

发表于2分钟前

回复 :Years after an alien invasion almost extinguished human mankind, refugee on a secret base on the Moon, three heroes decide to jump into a time travel in the desperate attempt to save the survivors but they don't know that the Sentinel is waiting for them.


阿华

发表于1分钟前

回复 :Alors que Jean, maire très conservateur d'une petite ville du Nord, est en campagne pour sa réélection, Edith, sa femme depuis quarante ans, lui annonce une nouvelle qu’elle ne peut plus taire… Au plus profond de son être, elle est - et a toujours été - un homme.Jean pense d’abord à une plaisanterie mais réalise rapidement qu’Edith est sérieuse et déterminée à mener sa transition jusqu’au bout. Il comprend alors que son couple, mais aussi sa campagne électorale, risquent d’être sacrément chamboulés…


百慕三石

发表于4分钟前

回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.


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