夏菁（郑裕玲 饰）和丈夫结婚多年，春暖彼此之间的感情早已经十分淡漠。为了逃离令她感到窒息的婚姻，春暖夏菁来到了巴黎，去那里参加好友阿冰（夏文汐 饰）的婚礼。在巴黎，夏菁邂逅了名为广平（周润发 饰）的小提琴手，两人之间狂风暴雨般的产生了炙热的感情。对于这段感情，夏菁一直都持着强烈反对的态度，这让夏菁开始怀疑，阿冰是否对广平也有着觊觎之心。夏菁的丈夫追随着妻子的脚步也来到了巴黎，夹在两个男人之间，夏菁不知该做出怎样的选择。最终，夏菁决定跟广平远走高飞，但两人之间的感情其实早就有了裂缝。在嫉妒的折磨之下，失去了理智的夏菁做出了令所有人都追悔莫及的举动。
刘婕
回复 :《爱阡陌》是由导演、编剧、制片人杨焱钧力推类型片的制作模式倾力打造的一部电影，讲述了三个同居一室的女孩不同的价值观、道德观衍生的情爱命运，可谓爱恨交织，情路纵横，美丽的女孩苏半一心谋创业，但她却经营一个信仰：帮助更多的山区孩子。在她创业之初，遇到了道貌岸然却差点强暴她的金融人士于奋。苏半用自己的善良伶俐决不屈服换来了于奋的支持和尊重。她的表妹真木是大学校园里清纯的舞者，和一心弘扬国粹的嘉轩演绎的一段浪漫的爱情故事，真木的任性和女神气质彻底征服了嘉轩。夏点是个演员，为了名利不折手段，甘心委身主办选美大赛的老皮，而且一再欺骗痴恋她的茶艺师汪前，汪前为了惩戒她，设局把她抛进了工厂车间的大坑里，汪前于夏点展开了一场人性于道义的审判。当苏半等人赶来救助夏点时，汪前头也不回的走了，身后传来夏点凄厉的呼唤。此片由北京大元昆昂国际传媒有限公司独家出品。
赵英其
回复 :朱莉（詹妮弗•洛夫•休伊特 Jennifer Love Hewitt ）和其他三个中学生在毕业之际来到一个美丽的海滨城市, 开始了一次狂欢式的度假。怎料乐极生悲，四人在黑夜的公路上飚车撞死了一个路人。慌乱中他们决定把尸体抛入大海，并约定对此事守口如瓶。一个快乐的旅程以阴霾结束。本以为一切都成为秘密。朱莉开始了她全新的大学生活。但是一封来信却打破了她的平静。里面赫然写着“我知道你去年夏天干了什么”，朱莉惊恐万分。果然，恐怖异样的事件开始发生在几个年轻人身上，他们推测凶手是谁，猜疑纷纷，然而血腥的结局早已在等待着他们……
面包
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.
