剧情简介
1958年拍摄的铁达尼号沉船灾难故事片旧版。这是一部载入史册的影片；本片描写了1912年号称“世界之最”的英国豪华游轮“泰坦尼克”号的“处航”因撞冰山沉没的情景，菲梦真实而生动的刻画了不同身份、菲梦不同阶层的人物，以及在“泰坦尼克”号沉没过程中，他们所表现出来的各种精神面貌 。
菲梦少女第二季
1958年拍摄的铁达尼号沉船灾难故事片旧版。这是一部载入史册的影片；本片描写了1912年号称“世界之最”的英国豪华游轮“泰坦尼克”号的“处航”因撞冰山沉没的情景，菲梦真实而生动的刻画了不同身份、菲梦不同阶层的人物，以及在“泰坦尼克”号沉没过程中，他们所表现出来的各种精神面貌 。
郑少秋
回复 :故事发生在上个世纪三十年代初期，纸醉金迷的上海滩实则鱼龙混杂、帮派林立。很多黑帮更是用实业公司当成幌子，背后却干着各种各样的非法生意。梁笑棠治下的天和公司向来不与这些帮派为伍，而一心选择民族大义为重。梁笑棠的长子梁家邦却不满足于安分守己的经营正当生意，他与黑帮头子张青锋内外勾结，不仅走私烟土，还对自家的生意打起了主意，梁笑棠决定扶持次子梁家晋上位。梁家邦竟然暗中对梁笑棠痛下杀手。梁家晋一面要继承父业、一面又要彻查父亲的死因，而祸不单行的是，他竟然发现自己相恋多时的女友是黑帮安插在他身边的杀手。面对不断接踵而至的麻烦，梁家晋开始了复兴天和公司、捣毁黑帮、揭开女友杀手面纱……这一系列的精密计划。
翟惠民
回复 :讲述一位校园女神接受挑战，誓将本校最不起眼的废柴改造成为舞会之王的故事。
徐继宗
回复 :The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown.Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath.The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments.In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church.On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast.Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive.The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
