贺盈（余安安 饰）是含着金汤匙出生的千金大小姐，久久精品为了得到一份隐藏了重大商业机密的录音带，久久精品贺盈找到了名为罗力（狄龙 饰）的男子，花重金雇佣他前往柬埔寨，寻找录音带的所有者乃文（高飞 饰）。这将注定是一场充满了危险的旅途，因为乃文并非普通人，而是一名经验丰富阴险狡猾的杀手。为了任务能够万无一失的完成，罗力找到了好友阮南星（陈惠敏 饰）、雷泰（罗烈 饰）和白兰氏（陈百祥 饰）等人，一行人组成了敢死队小组奔赴柬埔寨。经过了重重的波折，罗力出色的完成了任务，甚至生擒了乃文，将他交给了贺盈。可是直到此时，罗力才发现，自己已经陷入了一个巨大的阴谋之中。
秋家若
回复 :家境普通的女罗苏从小就有不寻常的虚荣与野心，如今已经27岁的她终于遇上一位黄金单身温先生。这是罗苏改变人生的最后机会，然而她却失去了温先生的信任并无法挽回，也由此与爱她的家人朋友决裂。希望破灭，走向绝望崩溃的罗苏并不知道， 此时一个神秘的游戏已将她选中。接下来的72小 时，她将经历超乎想象的人生体验，以及最重要的人生抉择。
田原俊彦
回复 :九個生活在同一天空下的人，交錯在一間小小的茶餐廳，各自發展他們不同的遭遇。本片以全新的手法，帶給觀眾一幕幕動人的片段！！\r茶餐廳，一個不分階級的地方。每天進進出出的人可謂各式其式，應有盡有，而當中亦包含許多不同的故事……\r小小（陳昭昭）是個「道姑」，經常因服用了毒品而不能自拔，當她遇上來找晦氣的兩個初出茅爐死飛女慈雲山Twins（駱樂、Maggie），結果又會如何呢？\r蘭嬸（羅蘭），每朝上班前會背著半身癱瘓的丈夫到公園晨晨運，晚上又帶一碗湯回家給他。誰又料到蘭嬸一直渴望解脫，離開己無舊情的另一半，因此，她不斷帶給患糖尿病的丈夫甜食……\r駱Sir（駱應鈞）是個熱心查案的警探，可是他不懂處理戀情，最終妻子紅杏出牆，而他也因欠下大賭債而自盡。欣欣發現其父徐老闆（徐錦江）最近行為有異，懷疑他偷歡，卻原來徐老闆的妻子才是有外遇之一方，多年來為了女兒一直忍讓的他，終於忍出病來……
安立奎伊格莱希亚斯
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
