《打破界限：恋夜恋夜拯救我们的星球》由大卫·艾登堡爵士解说，恋夜恋夜由 Silverback Films 负责制作，该获奖团队此前制作过具有里程碑意义的《我们的星球》系列和《大卫·艾登堡：我和我们的星球》。本片将说明这些有影响力的节目所依据的科学原理。《打破界限：拯救我们的星球》记录了著名科学家约翰·罗克斯特罗姆教授的科学之旅。该片讲述了这个时代最重要的科学发现 — 自文明诞生以来，地球已经稳定运转了一万年，直到被人类打破界限。这部时长 75 分钟的电影带领观众踏上探索之旅，探索我们不得逾越的界限，这不仅是为了地球的稳定，更是为了人类的未来。我们将能在本片中找到切实可行且迫在眉睫的解决方案，以保护地球的生命支持系统。
甘雅丹
回复 :公元337年的东晋时期，门第风气极盛，三品官家祝氏为了巩固朝中地位攀附权贵，将独生女儿祝英台（杨采妮）许配马氏太守，因为担心无心向学的女儿失礼于人，遂叫她女扮男装来到书院好好进补，因书院均是男儿，祝氏夫人（吴家丽）拜托院长夫人对爱女特别关照。在书院，祝英台结识出身贫寒但苦心向学的梁山伯，因情义相投，两人相交甚笃，日日相对中，祝英台的女儿身被梁山伯识破，两人相爱。自此梁山伯更加发奋读书，期望取得功名后将祝英台迎娶进门，然而门第的隔膜终难消除。
刘虹桦
回复 :贾文秋晴夫妇俩在回家途中撞倒一个黑衣老太，由于担心肇事罪而将老人带回家中诊治。岂料自老人来家之后，贾府便怪事不断引发无数离奇血案。先是丫头春巧从高处坠下离奇死亡，接着府上的田医生在回家途中被榔头敲击60余下当场毙命。秋晴起初怀疑是丫头和丈夫贾文有染而酿此横祸，而正在怀疑之时，丫头银玉又被人勒接近窒息，甚至贾文也被匕首刺中无数刀几乎死亡。重重调查下最后发现原来秋晴年少时曾因无知曾将一无辜男子送上刑场。老太太是此男子的姐姐。为弟复仇，13年前已经纵火烧杀秋晴全家，只是漏了秋晴。13年来卧薪尝胆处心积虑只为靠近秋晴。而她始终未能落网的关键原因是，她和她的弟弟都患有一种先听性的生长基因微缩病，患这些病的人少人老相，就是说她即使看起来有六七十岁，实际上只是一个35岁的中年人……
嘉骏
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
