：宅男卡皮欧（关楚耀 饰）是一名程序员，宅男他和女友阿May（夏尉喻 饰）交往多年，并决定在她的生日派对上向其求婚。带着求婚戒指，卡皮欧满心期待和忐忑的行走在台湾街头，哪知道一个不小心被一位名叫金瓜（阿达 饰）的男子撞了个满怀，戒指因此掉进了排水沟。金瓜赶着上班，于是嘱咐卡皮欧到公司等自己下班之后再来解决问题。在公司里，阿挥（李伯恩 饰）负责照顾卡皮欧，在阿挥的带领之下，卡皮欧见识到了台北这所看似宁静的城市的疯狂一面。纸醉金迷的夜总会中，卡皮欧竟然被阿May逮个正着，阿May派遣了表弟Sky（陆永 饰）潜伏在卡皮欧身边，几人被卷入了一场疯狂的旅途之中。
茱莉伦敦
回复 :影片聚焦1944年5月盟军登陆日之前的48小时。该片由乔纳森·泰普兹执导，卡司包括米兰达·理查森、约翰·斯拉特里、詹姆斯·鲍弗等。目前影片已在苏格兰开机，预计2018年上映。
李在勋
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
雷龙
回复 :备受尊敬的神父尚贤(宋康昊饰)因参加在非洲秘密进行的疫苗医学实验，被输入了来历不明的血液后使其在心理和生理上都变成了吸血鬼。他鬼使神差地爱上了朋友康宇(申河均饰)的妻子泰珠(金玉彬饰)，两人不伦的爱情将其拖进万劫不复的境地…
