三村新之丞（木村拓哉 饰）是名平凡的下级武士，精品他的工作是帮藩主试毒，精品备好的饭菜先由试毒者吃，确认没有不良反应后才会给主人吃。就在一次试毒中，新之丞双目失明，失去眼睛无异于废人，他的命运急转而下，幸而美貌贤惠的妻子加世（檀丽 饰）帮助下，他才重新面对生活。但三村一家由此失去 了生活来源，在亲友建议下，为了维持生计，加世拜托上级武士岛田藤弥（坂东三津五郎 饰）向藩主求情，希望能保住一半薪俸。可岛田以新之丞的薪俸为要挟，强迫加世委身于他。新之丞得知后，无法接受事实，休掉了妻子并决定和岛田决一死战，挽回比生命更加宝贵的武士尊严。
劳伦希尔
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
年少二人组
回复 :2019年末，一种新型病毒在全世界陆续被发现，武汉某医院重症医学科副主任郑直临危受命，全面负责新冠肺炎的收治工作。病人数量暴增、医疗物资紧缺，郑直面临巨大的压力……一向不苟言笑的郑直依靠集体的力量解决着各种问题，但麻烦总是接踵而来：患者成大海认为医疗费过高，病床的紧缺让患者越发焦虑，郑直信任的青年医生林军担任流调员工作，在救助一名60岁智力有缺陷患者时被患者刺伤，郑直父亲也被感染，医生们的体力已经到达极限几乎崩溃……至暗时刻，医护们终于听到了第一支医疗队驰援武汉的消息，而此时，郑直也为病危的孕妇接生成功，婴儿响亮的啼哭与市民们“武汉加油！中国加油！”的呐喊汇成了一首动人的主旋律。
王羽泽
回复 :Under small town scrutiny, a withdrawn farmer's daughter forges an intimate friendship with a worldly but reckless new girl in 1960s Oklahoma.
