少妇区Carmen, depressed and unable to take care of her children, awaits the return of her husband. Daniel, the youngest child receives an unexpected visit, which goes beyond the limits of reality and his imagination. Ana, the oldest child rejects adult life. Together, the three of them will try to accept what they cannot see.
传田真央
回复 :一对中年夫妻从美国坐飞机回到曼谷，清晨他们住进一家宾馆。妻子（拉莉塔•潘尤帕斯饰）脸上写满疲惫想要好好休息，丈夫（波乌•萨拉辛饰）下楼买烟，碰见留着爆炸头的可爱女孩Ploy（阿平亚•萨库加罗恩苏饰），她在等她妈妈。一番闲聊，他做出一个惊人决定，决定带这名女孩去房间休息，因为她还要等上好几个小时。先前对丈夫起了疑心的妻子，对女孩的出现大有怨言，最终一番争执，妻子离开，在酒吧遇上了仰慕者。在他们房间的另一边，一对神秘古怪的男女在偷欢，一方是宾馆服务员，一方是酒吧招待生，他们不需要任何言语地享受着对方的身体。它似乎是Ploy的梦，又似乎是真实发生……
景琏琏
回复 :苏利曼和“苏丹电影俱乐部”的另外三名成员决定重振一家旧电影院。他们不仅因为对电影的热爱和对恢复旧电影存量、再次关注苏丹电影历史的强烈渴望而团结在一起，而且因为他们都曾在流放中接受过电影教育。不知疲倦地，他们试图让影院老板站在他们一边，让这个地方重新运作起来，但他们一再发现自己遭到了相当大的阻力。同时，他们坐在一起谈论过去——包括他们作为对立艺术家遭受迫害甚至折磨的经历。他们还朗读流亡和梦想苏丹时写的旧信，在那里艺术和智力思想可以自由。“我们比他们聪明，但不如他们强大，”他们一致总结了他们的处境。正是在这些简洁的时刻，观众才能够感知到友谊，以及在为共同理想而斗争中存在的纽带和意识形态的团结。苏哈伊布·加斯梅尔巴里把苏丹电影的历史放在影片的中心，同时也揭示了一个受到持续危机影响的国家的现状Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals.Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.
廖佩伶
回复 :A strange race of human-like marsupials appear suddenly in Australia, and a sociologist who studies these creatures falls in love with a female one. Is this a dangerous combination?
