剧情简介
这部纪录片由资深音乐录影带导演格兰特·辛格执导，目莲以亲密的视角纪录了蒙德兹过去几年的生活和旅程。
目莲救母
这部纪录片由资深音乐录影带导演格兰特·辛格执导，目莲以亲密的视角纪录了蒙德兹过去几年的生活和旅程。
董文华
回复 :李倩蓓（王祖贤 饰）是新当选的香港小姐，天真善良的她拥有天使般的美貌，星途一片无量。一次偶然之中，李倩蓓结识了名为梁子威（邓光荣 饰）的男子，郎才女貌的两人之间很快就产生了真挚的感情。然而，梁子威系有妇之夫，他的妻子（甄妮 饰）一直在利用娘家的权势操纵控制着丈夫。得知这一切的李倩蓓决定离开梁子威，成全他的婚姻。一场意外中，李倩蓓被卷入了一场凶杀案之中，站在了法庭之上，为了证明李倩蓓的清白，梁子威不惜曝光了两人之间的隐情，也要救爱人于水火之中。见证了两人之间轰轰烈烈的感情，梁子威的妻子决定同丈夫离婚，并带走了所有的财产。
廖碧儿
回复 :清朝末年，局势动荡，乱相纷现。曾经历黄花岗起义的南国革命党人铁云（黄日华 饰）和志同道合的战友勇闯大漠，偷运黄金，准备购买大批军火再次起事。谁知途中遭到博尔格亲王（吕良伟 饰）之爪牙满天红（倪虹洁 饰）的伏击，关键时刻幸得满腔赤诚的从四品官卓知府（狄龙 饰）出手相救。卓知府具有远见卓识，虽身处敌我两派，但仍将国家的命运寄托在铁云身上，安排他前往黄金峡寻找善良热情且不乏豪气的猫老板（曾志伟 饰），为此甘愿陪上满门家小性命。猫老板是曾参加过义和团的勇士，由他守护的黄金峡云集了来自四面八方的仁人义士。大家不讲革命，不关心政治，在这个安宁所在过着世外桃源的生活。随着铁云的到来，黄金峡的宁静被彻底打破。隐退江湖的英雄们为国为家，再展身手……
廖佩伶
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
