杀人游戏在年轻人当中颇为流行，末成七个朋友在酒吧里面玩这个游戏，末成不幸弄假成真，游戏变成了现实——他们发现每天晚上在游戏中被杀之人，必定在当晚真的死去。这使得众人大为恐慌，自己随时成为假戏真做的冤魂。他们猜想，凶手极有可能就在这几个人当中，为了能使事情水落石出，逃出生天，他们继续进行着这个惊悚的游戏，而往事也随之渐渐抬头。他们曾经有一个名叫露露（小宋佳 饰）的朋友，在一次事故中，露露被他们撇下不管，以致死亡。如今，露露似乎要回来了……这个恐怖游戏的幕后凶手，到底是冤魂不散的露露，还是另有其人？
小宇
回复 :BBC纪录片，带领我们回顾以色列这个国家的诞生，分析了1949年引发以色列独立战争的事件，以及对阿拉伯、中东关系的影响。本片用一个小时的时间简要向我们分析了当今中东问题的历史根源。History, Sociopolitical Documentary hosted by Jeremy Bowen and published by BBC in 2008 - English narrationJeremy Bowen presents a look back at the creation of the state of Israel, examining the the events leading up to the Israeli war of Independence in 1949, its impact on Arab/Israeli relations and the implications for the Middle East.This description doesn't do this documentary justice. It's a one hour crash course in some of the underlying causes of the current problems in the Middle East.
康贤
回复 :一個家庭搬到寧靜又與世隔絕的新家。這棟看起來還不錯的新房，卻籠罩一些不祥的跡象。妻子（徐令姬飾演）在遷入的第一天晚上，就開始飽受噩夢折磨，並對倉庫裡傳來的怪聲感到心神不寧，不過她的丈夫（金珉才飾）卻對此無動於衷，孩子們也在父母的矛盾中變得焦慮不安。隨著這家人的噩夢愈來愈嚴重，他們開始無法分辨幻想與現實，更將面對深埋在這棟房子裡的驚駭秘密…。
满江
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
