陈大力是个每天为挣钱奔波的话痨出租司机，国产爱好赌博所以欠下一屁股债，国产在一次追尾事故中，因为没钱便将身份证押给了女主播小白。谁料之后小白就被一个疯狂的粉丝二毛绑架，并要求她将自己曾经的打赏尽数归还。此时大力正急于回老家取钱还之前欠下的赌债，便想寻找小白拿回身份证，却察觉到了小白可能遇到危险。大力和心怀警察梦的保安贾正义各怀心思，选择自己去探明事情真相，就这样阴差阳错踏上了解救小白的路，两人几经波折找到绑匪的藏身之处，一起战胜绑匪并最终将绑匪绳之以法，大力和小白也在这个过程中互生好感，开启下一段缘分。
詹采妮
回复 :张嘉乐（吴文超 饰）是衔着金汤匙出生的千金大少爷，从小就过着养尊处优的生活，没有受过一丁点的苦。在国外深造的他回到了家乡，却因为和父亲对于未来的理念不同，父子两人之间经常爆发激烈的争吵。糟糕的亲子关系让张嘉乐逐渐放弃了梦想，一天比一天消沉，对此一筹莫展的父亲决定将儿子送往偏远的山区小学支教，希望他能够借此机会重新找回生命的意义。就这样，张嘉乐从车水马龙应有尽有的大城市来到了偏僻贫穷的山区，在这里，他结识了名叫小玉莲（严丹彤 饰）的小姑娘，小玉莲所吟唱的山歌让张嘉乐重新想起，究竟什么才是他生命中最重要的东西。
乔维怡
回复 :江户时代魔鬼横行，为了对抗伪装成人类的魔鬼，一群有志之士成立了一个名叫“鬼御门”的组织。其中一个高手病叶出门(市川染五郎 饰 )，被称作“杀鬼者”，五年前他神秘地离开组织，来到第四代鹤屋南北(小日向文世 饰)开办的剧场做演员。此时在江户出现了一个名叫“暗夜的茶花”的盗贼， 实际上她们是一群表面上以云游表演为生的女子，其中最美的是一个叫椿(宫泽理惠 饰)的女子。病叶偶然邂逅了椿，两人相爱了。假扮成尼姑的恶鬼首领美惨(樋口可南子 饰)，无意中发现了椿肩膀上的阿修罗王的标记，可是椿对此一无所知，在美惨的推波助澜下，在病叶与椿结合的一瞬间真相终于浮出水面。鬼王阿修罗重生，阿修罗城出现在了世人面前。
李恕权
回复 :Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
