深山里某个小镇上,观视人们过着安静平淡知足的日子。对于自己的家乡,观视高中女生Machi(夏莲)虽然再熟悉不过,却总觉得仍有许多未知之谜等着她去发掘。某天,Machi和两个女友憧憬未来,玩起故事接龙游戏,在她们天马行空地幻想未来时,镇里的大人们开始回想有关过去被埋葬的树木的故事。暴风雨将小镇“袭击”,大人们记忆中被埋葬的巨大树木暴露出来,“梦幻森林”的入口被打开,Machi和女友编写的未来同过去有了联系,一切变得似真又似幻,如梦又如烟。
深山里某个小镇上,观视人们过着安静平淡知足的日子。对于自己的家乡,观视高中女生Machi(夏莲)虽然再熟悉不过,却总觉得仍有许多未知之谜等着她去发掘。某天,Machi和两个女友憧憬未来,玩起故事接龙游戏,在她们天马行空地幻想未来时,镇里的大人们开始回想有关过去被埋葬的树木的故事。暴风雨将小镇“袭击”,大人们记忆中被埋葬的巨大树木暴露出来,“梦幻森林”的入口被打开,Machi和女友编写的未来同过去有了联系,一切变得似真又似幻,如梦又如烟。
回复 :漫画经纪人赵一成因偶然机会,进入自己的内心世界,唤醒大学时代塑造的五位“学科少女”,再次对自己的梦想进行抉择。
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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