古裝宮庭艷情喜劇，踏浪唐朝天寶年間，踏浪安史之亂，當朝天子李龍基和妃子楊玉環，被逼出走，身邊只帶老將郭子儀及曹國舅，郭子儀平時滴酒不沾，但酒後則拿刀四處破壞，而曹國舅於風雨之夜就失去常性，便成為摧花殺手，民間也處處姦淫婦女，荒逸無度，而身為九五之尊的皇上，亦因為自身之陽具太短而失信心。幾人最後逃至安長村，得悉村內有華陀後人，能使陽具起死回生，決定一試穴隆陽大法手術，怎料中途出了意外，封著血道的金針鬆脫，結果還成功完成，增長增大增強，作愛稱心得意，並平定安祿山造反.......
石小杰
回复 :男主的好友是一位摄影师，二人相约前往泰国给一位名模拍摄写真，来到泰国后，在风情万种的模特们中穿梭，男主跟一个女模特搞得热火朝天，而男主的好友却对名模非常中意，可是奈何自己只是一个摄影师，无法跟她有过多接触，万万没想到的是，这个名模曾刚刚出道之时，受到了男主的好友的鼓励，后来迅速窜红，名模对男主的好友心存感激，二人情投意合，也产生了爱情与性欲的激情火花...
舒高
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
蔡妙甜
回复 :《一夜成名》以全民选秀、草根成名为题材，讲述了一个黄土高原上走出来的原生态民歌手通过选秀节目一夜成名，在进入娱乐圈之后却遭遇到文化、生活上的各种不适应，以及慢慢成熟并收获爱情的故事。\r影片中的原生态歌手是一个从黄土高原上走出来的放羊娃，在通过选秀改写自己的人生轨迹之后，发现所要面对的不仅仅是生活的困惑，更有文化认同的危机。
