香港地产经纪美丽（章小蕙饰）过着都市白领的平淡生活，灵魂闲暇来沉溺于各种幻想之中，灵魂其中以对身着制服的警员4708（吴嘉龙饰）的幻想为最。一日美丽遇到客户日本贵妇梅木里子（松坂庆子饰），梅木请其替自己出租位于太子台的一间公寓，并且要找一个合适的房客。因为梅木年轻时曾在那里度过一段快乐时光。美丽对艺术气息浓厚的公寓情有独钟，对客户百般挑剔。一日公寓中突现一奇怪的长发俊男Kim（Sho饰），手持黑白老式V8对她拍摄。美丽被其气质所吸引，二人结缘。美丽的幻想世界里同时出现了警员4708与Kim,难以抉择。与此同时，太子台附近又出现了一位神秘的日籍年轻女子（河莉秀饰）。梅木某晚忽然拜访美丽，道出了自己一段惊人的往事。美丽面对接二连三的异事该何去何从？杨凡导演2004年的情色大作，集合港、日、韩三地优秀的制作团队，将这部亚洲风情作推向艺术美感的极致。不论是否认同其艺术手法，《桃色》都当之无愧为该年度最受关注的香港艺术电影。这部典型杨凡风格的电影以诗化的影像风格带给你极致的感官享受
申彗星
回复 :掌控日本国家未来的御前会议上，众要员商议着以猎杀SPEC持有者为目标的“SIMPLE PLAN”，神秘的法蒂玛第三预言亦被提及。数天后，暗中执行猎杀计划的政府成员突然于游艇上全员木乃伊化死亡。案件交由未详系的当麻纱绫（户田惠梨香 饰）和濑文焚流（加濑亮 饰）负责。调查途中两人接到志村美玲（福田沙纪 饰）的求救电话，赶赴救援时与濑文的前同僚兼前恋人青池里子（栗山千明 饰）不期而遇。当麻将美玲带回未详系，原本已经死去的阳太/一十一（神木隆之介 饰）竟从容现身于她们面前。竭力压制着蠢蠢欲动的左手，当麻无力的目睹美玲匆忙留下“一定要阻止法蒂玛第三预言”的信息后被阳太带走。在阳太的恶意煽动下，普通人类与SPEC持有者间的矛盾日益激化。身处两者夹缝之中，当麻对法蒂玛第三预言和人类未来的走向充满了迷惑。玛利亚、白衣教皇、左手持火之剑的天使……预言中的关键人物们若隐若现，黑暗降临的未来是否终将无法避免？
刚泽斌
回复 :出租车司机文章（黄子华 饰）一年前偶遇住在南丫岛的维族舞女阿曼（江希文 饰），自此每日接送阿曼上下班，心中对她充满了绮想。某夜，文章和一女子发生一夜情，谁知却因用药不当造成他变成性无能。文章听从医生建议，在阿曼的陪伴下搬到南丫岛静养。酒吧老板娘比莉（蔡少芬 饰）提供住处给文章，而比莉，曾经是阿曼的同性情人。文章在酒吧因缘际会结识了女警Ron（孙佳君 饰），性无能的文章没有在Ron醉酒时趁人之危，这令Ron对他大有兴趣。不久，阿曼的老公阿东（张达明 饰）从大陆来港，阿东自幼学画，观念颇为开放，在得知阿曼和比莉有过一段情后大胆建议比莉和他们一起生活，但遭后者坦率的回绝。Ron为了能使文章重振雄风想尽了各种办法却不见效，阿曼此时也对这个暗恋自己的男人产生了兴趣……
玛莉佛芮崔克森
回复 :This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
